Don't Talk to Strangers (also known as Dangerous Pursuit) is a 1994 Made-for-TV psychological thriller film. It was directed by Robert Lewis and starred Pierce Brosnan. Plot[edit]The unhappy marriage of Jane (Shanna Reed) and her alcoholic policeman husband Bonner (Terry O'Quinn) leads to divorce and Jane get the custody for their son. Soon, she meets a gentleman in her workplace, after a few weeks they fall in love and get married. Gentleman Douglas Patrick Brody (Pierce Brosnan) and his new wife Jane Brody attempt to build a new life, and move to a new state. However, the former husband follows them. This is just a beginning of the story filled with suspense and surprises. As it turns out, Patrick is the villain behind a number of crimes. Back in print, this popular title from 1967 about child safety was last in print in 2000, but sales figures are not available.With its strong theme about child safety that's more relevant now than ever, its $8.99 price point, and its fun rhyme and psychedelic artwork that looks hip again, we see this picture book selling well in both the trade and mass merch areas. If you are hanging from a trapeze And up sneaks a camel with bony knees, Remember this rule, if you please— Never talk to strangers. This book brilliantly highlights situations that children will find themselves in—whether they’re at home and the doorbell rings, or playing in the park, or mailing a letter on their street—and tells them what to do if a stranger (always portrayed as a large animal, such as a rhino) approaches. Colorful, ’60s-style “psychedelic” artwork and witty, lively rhyme clearly spell out a message about safety that empowers kids, and that has never been more relevant. Irma Joyce wrote many Golden Books during the 1960s. George Buckett was a popular children’s book illustrator during the 1960s. Our servers are getting hit pretty hard right now. To continue shopping, enter the characters as they are shown in the image below. Type the characters you see in this image: Type characters Try different image © 1996-2014, Amazon.com, Inc. or its affiliates Sarah Taylor, a criminal psychologist, embarks on a torrid affair with a seductive stranger. However, she begins doubting whether she can trust him when a mysterious stalker begins harassing... Read allSarah Taylor, a criminal psychologist, embarks on a torrid affair with a seductive stranger. However, she begins doubting whether she can trust him when a mysterious stalker begins harassing her.Sarah Taylor, a criminal psychologist, embarks on a torrid affair with a seductive stranger. However, she begins doubting whether she can trust him when a mysterious stalker begins harassing her.
Videos1More like thisReview Not that bad, surely Yes, the plot devices were, at times, obvious. Yes, there were clear hints to the outcome in the early stages of the film. Yes, some of the acting wasn't great. But, I didn't think it was that bad, and (forgive my ignorance in psychiatric matters if this is wrong) that implausible either. I think, in acting terms, it was a general disappointment in the two main star actors who have done much better work than this. But don't be too harsh. Never Talk to Strangers is a 1995 psychological erotic thriller film directed by Peter Hall and starring Antonio Banderas and Rebecca De Mornay. Plot[edit]Psychologist Dr. Sarah Taylor is a guarded, aloof criminal psychologist who interviews a client who is a rapist, and is pleading not guilty by reason of insanity. It is later revealed that she was the subject of daily rapes as a child by her estranged father, who is now shown to be very ill. Sarah meets Tony Ramirez in a shopping mall, and she gives him her number. She begins a relationship with Tony, despite the creepy advances of her neighbor, Cliff, with whom she once had a one-night stand. Days into this new relationship, Sarah begins to get death threats and strange gifts, such as dead flowers. As she gets more romantic with Tony, the gifts get more extreme. Her cat is dismembered which leads to Sarah going to the police. Sarah then hires a detective and has Tony followed, and breaks into his apartment only to discover that he has a file on her, including information about her mother's death in a gun accident, twenty years before. Tony is actually investigating her, trying to learn the whereabouts of a former boyfriend of hers who had disappeared suddenly. Ultimately, it is revealed that Sarah suffers from multiple personality disorder, brought on from her abuse as a child, and from her father brainwashing her to cover up the murder of her mother. Her alternate personality is responsible for all of the strange gifts, and for murdering her ex-boyfriend. When Tony goes to her father's house, Sarah (under the control of her alternate personality) follows him, shoots and kills him there, and then kills her father when he tries to intervene. When Sarah reverts to her normal personality, not remembering what has happened, she presumes that Tony was crazy and killed her father, and that she killed Tony in self-defense. In the end, she is seen entering into a relationship with Cliff. Cast[edit]
Reception[edit]Never Talk to Strangers received negative reviews. On review aggregator website Rotten Tomatoes, the film has a score of 15% based on 20 reviews, with an average rating of 3.60/10. The site's consensus reads: "Never Talk to Strangers -- and never make the mistake of believing this silly stalker mystery is the best available viewing option". Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale. Brendan Kelly of Variety wrote: "Never Talk to Strangers is a reasonably entertaining but largely uninspired erotic thriller that's too much a chip off the Fatal Attraction block. The promise of high-impact bedroom aerobics will generate some interest, but the fully clothed drama isn't nearly as enthralling as the steamy scenes, so the pic isn't likely to maintain much [Box Office] ardor." Peter Stack of the San Francisco Chronicle called the film "mysterious and sexy", adding that it is "enough to keep tension alive until, too bad, the whole thing collapses with a twist ending that is nearly laughable". Caryn James of The New York Times called the film's ending "idiotic" and wrote that Peter Hall, the director, "is obviously more at home with Shakespeare than with this material". Hal Hinson of The Washington Post praised the director of the film, calling him "legendary", while Time Out called it an "adequate psychological thriller on a topical theme". |
